The press said about us...

CABARET pedrolo
(EL PUNT DIARI)
"Original and personal; Authentic and new: A luxury for the times that we live"
Jordi Bordes (El Punt Diari) 01/09/2007"All is organic and work in effective way: mobil phones in the audience turn on, appears the Catalan President Tarradellas in a delirium meeting with Stalin and Hitler kissing, an actress play with extremely crazy eyes, the performers hit the director (really hard, really pain)… Uncomfortable theatre, coherent, consistent, nonconformist and conect with a critical way like artist that Ovidi Montllor, Manuel de Pedrolo or Lluís Maria Xirinacs”
Jordi Bordes (El Punt Diari, 1/09/2007))(L’INDEPENDENT DE GRACIA)
"Big performance… with a great and fervent players… insert perfect with the audience relation with performers… surpass the political symbols, the fears, the distrust, the generational walls: thorny subjects are performing for La Quadra Màgica with humour… In the final of the play audience and artist founded in a dance and a meeting or forum talking about this world exchange of ideas”
Sergio Oliveros (Independent de Gràcia, 6/07/2007)(LA VEU DE L'ANOIA)
“Risk theatre… No-one stay indifferent in this play… still now shaking the columns of Multidisciplinary Space in Vallbona after the stoic theatre hits of this braves, daring, cheekiest, lawbreakers or shameless – that’s depends which you talk then the play – theatre researches workers…
(Toni Manchon, La Veu de l'Anoia, 20/12/2006)
CABARET pedrolo/HOTEL BARCELONA
(LA VANGUARDIA)
"La Quadra makes the work that Catalan National Theatre don’t do”
Què fem? La Vanguardia 17/08/2007"Really nice revision about the untouchables classical theatre plays in Catalan literature. They do that this classical more close to the reality of our actual times”
Què fem? La Vanguardia 17/08/2007(LE COOL BARCELONA)
"Censure and disapprove several times for the form and the reactions that the show produce"
(31/05/2007)"La Quadra attack with his new performance…
(30/05/2007)(EL MUNDO)
“The law in La Quadra theatre work is really exactly: We will be amateur in the time of the contract and for the rehearsals money but we will be professionals in the time of work and rehearsal six hours a day "
Eva Belmonte (El Mundo, 29-06-2007)(L’INDEPENDENT DE GRACIA)
"La Quadra fascinate for his fearless staging, really risk… Josep Riera was perfect in every character that he play and in the same way were the rest of the band around… Cool, breakwalls, new style, energise.
Sergio Oliveros (Independent de Gràcia, 27/07/2007)(DIARI AVUI)
" Calixto Bieito says a few time ago that someone should make a modern version of Lowland (Terra Baixa). Tell and make: La Quadra Màgica make that every Wednesday and with really exit in Teatreneu”
Andreu Gomila (Diari Avui) 15/08/2007(ENTREACTE)
"Delicious variety Catalan sounds… extremely nearless between the audience and the players… Really good dynamic and rhythm with the audience”
(Rosa M. Isart, Entreacte)
SARDANA AQUÀTICA
(EL PUNT DIARI)
“Thanks to La Quadra because the popular culture to get a head of change climate: they imagine how will be the first sardana inside the water of the history”
"The maximum moment in surrealism and nonsense.
The best sham: outlandish, involve, provoke”
(EL PERIODICO)
"Entertertiners with swimming trunks in the street of the theatre, with rubber ring enclose and glasses for swing… They know that not all the audience understand his humour… are public that left the theatre because can’t accept that the players (in a sarcastic tone) said that the Español football team is the team of Catalunya and not the Barça because Barça was founded for Swiss people and forbid catalan players play in Barça during two years… An all-star moment of the absurd theatre”

PAU?
(ENTREACTE, CATALAN ACTORS AND DIRECTORS ASSOCIATION MAGAZINE)
"A sing of maturity scene of La Quadra Màgica talking about the peace in a show dedicated to the distinguished catalan musician Pau Casals”
(EL PUNT DIARI)
"With Cabaret pedrolo they arrive to 14.000 members of the audience; Hotel Barcelona travel to University Festival in Covilha (Portugal) in March; PAU research a theatre where they “can cook paella”. In the final of PAU the audience make a paella tasting”



